Can gender be cooked into stew? Can a cisgender woman transfer her body’s patriarchal liberation to a transgender woman? How can an oppressed woman’s movement become raw and free? How do musical strings unravel in the cultural ambiguity of pentatonic scales?

Join us a for an evening of extraordinary bodily and musical transformations, with a delicious anti-patriarchy porridge to be devoured by the audience at the end.

We are pleased to host @suan6 酸六Taiwan’s foremost transgender performance artist; electroacoustic composer and musician @punzmann_ Christoph Punzmann, who is here on a three-month fellowship sponsored by the Austrian Culture Ministry (BMKOES); Liya Yu, German-Chinese writer and dancer, who choreographed this piece during her Treasure Hill Artist residency this year and will be stirring the stew pot with her shamanic ladle; and @lee.yinghao Yinghao Lee, cellist and violinist who formerly trained at Julliard Pre-College in NYC.

性別可以被煮成粥嗎？一個順性別的女性能把她身體的父權解放轉移給一個跨性別女子嗎？一個受壓迫的女人的如何才能變得原始和自由？在五聲音階的文化模糊性中，音弦又要如何解開五聲音階的文化模糊性？

我們邀請大家加入這一個關於身體和音樂轉化的奇妙夜晚，並將以一碗代表抵抗父權的米粥分享予觀眾作結。

我們很高興地邀請到台灣極具代表性的跨性別表演藝術家Suan6酸六；作曲家和音樂家Christoph Punzmann，他在這裡獲得了奧地利文化部贊助的三個月的獎學金。喻俐雅 Liya Yu，德籍華人作家和舞蹈家，她在今年的寶藏巖藝術家駐場期間編排了這個作品，並將用她的巫術勺子攪動燉鍋；以及李英豪，大提琴家和小提琴家，曾在紐約市茱莉亞音樂學院接受培訓。

Performers:
Christoph Punzmann, guzheng and electronics
Yinghao Lee, cello
Liya Yu, dance and choreography
ft. Suan6 酸六


Poster design @sia_binghong